Degenaar in Dialogue: An Essay in Four Parts Part Three: Dialogue as a Philosophical Art
Degenaar in Dialogue: An Essay in Four Parts Part Three: Dialogue as a Philosophical Art Changing contexts of Degenaar’s dialogue From the beginning of his academic career, and probably even before that, Degenaar was committed to dialogue. What drew him to philosophy, and away from theology, was the figure of Socrates and the practice of Socratic dialogue. Dialogue was thwarted at times, but not his commitment to it. His unsettling prayers, in the first years of his appointment, may have seemed to his students to be provoking God; but it’s just as likely he was seeking a response from pious, but anxious, admissante . This commitment to dialogue set Degenaar apart as a teacher. His lectures were not intended to provide a one-way transmission of established knowledge. He was seeking to invite, stimulate or provoke some kind of response and then to engage with that response. Just as he was in dialogue with his students when his prayers in the classroom provoked them, he was in dialog...